By the third quarter of the century, Tonic Sol-fa numbered hundreds of thousands of practitioners at home and in the colonies, and had outstripped competing sight-singing methods. This essay argues that Tonic Sol-fa promoted a way of managing behavior that worked alongside rational recreation and newly introduced institutional surveillance strategies. But, finally, that particular element in this whole combination which most impressed myself, and through which it is that to this hour Mr.
Retrieved Sep 17 from https: Long, long in the waiting, this book has finally made its entrance on the musicological stage as a companion in research--thus neither as a handbook nor as a survey, but as something in between--for scholars and, especially, for current and prospective?
Conceived by editors Alison Tokita and David Hughes as a collaborative work by both Japanese and English speakers "to form a balanced approach" to taking stock of "the full range of Japanese musical culture" dust jacketit is the first, book in English on Japanese music to attempt such coverage in detail.
Fifteen chapters, all but the very last individually authored, address individual genres, with little directed crossover. Authors cover the current state of research and key issues in their specialities, as appropriate for the aims set by the series of Ashgate Research Companions to which the volume belongs.
The largely self-contained chapters follow the standard, and perhaps unavoidable, way of telling the story. They are ordered according to historical sequence of emergence, moving from court music and Buddhist chant--with their common origins on the Asian mainland, long interwoven lives, and continual influencing of other musics over nearly fifteen centuries--through warrioi-supported biwa-accompanied narrative music rooted in the twelfth and thirteenth centuries; no, the medieval theater that rose in the early fifteenth century from much older theatrical and dance traditions; solo and chamber ensemble music; urban theatre music associated with the rise of the merchant classes in the Edo period ; historical and present-day popular musics and folk music; musics of the Ryukyu and Ainu; and finally contemporary and Western influenced classical music.
The proclivity for Japanese musical traditions to be carried on as living traditions over centuries, coexisting and interacting on the way with others more recent, encourages some authors to try to contextualize their speciality on an historical continuum of appropriation and development.
By and large, however, researchers interested in overarching musical concepts or broad-based workings of transmission that have worked together to facilitate such historical multi-layering, or even in more general aesthetic sharing across arts, and so on, must depend for guidance and integration on an opening chapter, "Context and Change in Japanese Music" chap.
Patterned almost as if a distillation of topics and approaches from the body of the book, this introduction is also where readers may arm themselves with a grasp of principles and theoretical approaches in Japanese musieological research for their study of the individual chapters.
The chapter itself is framed by two short pieces tendering two thought-provoking questions for a postwar, postcolonial Japan: Surprisingly, there is no glossary of Sino- Japanese characters, which one-would expect in a volume that aims to show the "current state of music research in and on Japan" p.
This last, then, is an unfortunate but distinct drawback, given the evidently targeted readership as one with advanced Japanese literacy. While they cover much of the same ground as his many other fine overviews, the newness here, and potential influence on future research across genres in general, is to break with the scholarly custom in Japan of treating the two independently.
The interleaved historical essay is the best to date in English and serves well as background to the volume as a whole. The musicological essay disappointingly relapses into separate treatments, despite the promise of integration in tables of scales and modes pp.
Perhaps this problem is symptomatic of as yet insurmountable boundaries in present-day scholarly thinking set by the sorts of traditional boundaries Nelson himself sees as problematic between Buddhist sects p. Nevertheless, the student is well served in each account with data typical of most other chapters: In the delineation of certain research issues, however, preoccupation with very early stages in the "revolutionary" p.
Musical Narrative of The Table of the Heike" chap. Music from the Medieval Theatre" chap. But the musicologically-focused student will probably appreciate most the help the three chapters offer in grasping how, in narration, formulaic properties of melody and text work together in performative segments de Ferranti, p.
Music of the Bunraku Puppet Theatre" chap.
More Than Meets the Eye" chap. It is these three that cast perhaps the sharpest light on the extent of apparent mutual exclusivity between genres and their respective scholarships; while many a student wishing to study an individual genre will be excellently informed, just as many wishing to gain a broader overview of Japanese melody by bridging several accounts may be bothered, even confused, by many differing ways of dealing with related concepts--despite pre-warning about such multiple surfacing in the introductory chapter p.
Again, this situation, reflecting the reality of research culture as it does, may be still insurmountable at present. Edo-Period Chamber Music" chap. Issues in the history and organology of the shakuhachi. From Local to National to Global" chap. The volume closes with "Popular Music in Modern Japan" chap.
This is a research companion that works very well indeed, if one works hard with it; it is a book for poring over, both with regard to its texts and its music examples; and it rewards reading across its various chapters.
It is an articulate, forward-looking companion demanding interaction, but assuming a certain amount of self-reliance in its partner. It goes without saying that it is clearly essential for graduates in the field, and accordingly for graduate library collections; but with the considerable lean towards the survey in many of its essays, it would be well placed too in undergraduate collections supporting performing-arts-orientated Asian Studies programs, and in collections supporting ethno musicology programs with a focus on East Asia.
A most welcome new friend! No portion of this article can be reproduced without the express written permission from the copyright holder. Copyright Gale, Cengage Learning.Taking Popular Music Seriously: Selected Essays (Ashgate Contemporary Thinkers on Critical Musicology Series) [Simon Frith] on ashio-midori.com *FREE* shipping on qualifying offers.
As a sociologist Simon Frith takes the starting point that music is the result of the play of social forces. Musicmap attempts to provide the ultimate genealogy of popular music genres, including their relations and history. It is the result of more than seven years of research with over listed sources and cross examination of many other visual genealogies.
The essays have been written with a view to helping graduate students with research methodology and the application of relevant theoretical ashio-midori.com Ashgate Research Companion is designed to offer scholars and graduate students a comprehensive and authoritative state-of-the-art review of current research in a particular area.
Paul A. Merkley, ed. Music and Patronage.
The Library of Essays on Music, Politics and Society. Farnham: Ashgate Publishing Limited, xxvii + pp. $ ISBN: –1–––0. Ian Peddie has taught at Florida Gulf Coast University, the University of Sydney, and West Texas A&M University.
His books include The Resisting Muse: Popular Music and Social Protest (Ashgate, ) and a study of class in American literature. Unique furniture collection of this page lists some of ralph ellison. Far a favorite place - college thesis that provides some of.
Current: p. How to enforce the writer who was written by experts share your essays on a research papers. Essay ashgate library essay facilitates i. .